> For the complete documentation index, see [llms.txt](https://know.rendernetwork.com/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://know.rendernetwork.com/docs/prepare-your-scene/ocio.md).

# Colour management with OCIO

Keep colour configurations and LUTs with your scene, and match the colour settings used in compositing.

[OpenColorIO (OCIO)](https://opencolorio.readthedocs.io/en/latest/index.html) manages how colours are converted and displayed in your rendering and compositing apps.

## Include a custom configuration with the scene

A custom OCIO setup can depend on both a configuration file and separate LUT files that define colour conversions. Collect those files together and preserve the folder paths used by the configuration. A configuration that points to a folder on your workstation will need those paths corrected before another computer can use it. See the [OpenColorIO configuration guide](https://opencolorio.readthedocs.io/en/latest/guides/authoring/overview.html).

In Cinema 4D, **Save Project with Assets** collects OCIO configuration settings alongside the scene's other assets. Check the collected copy before creating your upload archive. See Maxon's [File menu reference](https://help.maxon.net/c4d/en-us/Content/html/5595.html).

In Octane Standalone, open **Preferences → Color Management** and use **Use Other Config Files** to load a custom configuration. Its views then become available in the camera's **Imager** settings. See OTOY's [colour management reference](https://docs.otoy.com/standaloneSE/ColorManagementSettings.html).

{% hint style="info" %}
For a production that depends on a custom configuration, render a test frame on the network and check the downloaded file in your compositor before submitting the sequence. If the result differs, send the configuration, referenced LUTs, and local comparison to [support](/docs/help/get-support.md).
{% endhint %}

## Match the output to your compositor

An OCIO view used in the render viewport is not necessarily baked into the saved image. For a linear EXR workflow, apply the matching view in your compositor when comparing the render with the viewport. OTOY's [Houdini colour management guide](https://docs.otoy.com/houdini/ColorManagementOCIO.html) explains this distinction.

See [EXR output and DWA compression](/docs/prepare-your-scene/exr-and-dwa-compression.md) for choosing the output colour space and keeping a linear image for compositing.


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